Unedited, seemed to run 60 minutes once all studio recordings were Time length: while each set ran approximately 40 minutes, this reconstruction,
These instances I’ve used approximations and substitutions that will be The fantastic BBC May 12 th recording would be ‘cheating’, so in Of “The Journey” since studio recordings simply don’t exist for those missing This seemed to work for almost all of “The Man”, it worked for only half To avoid using any actual performances of “The Man and The Journey” and stick But we have two challenges: Firstly, my goal was Ummagumma, and present it as Pink Floyd’s third studio album. Which Pink Floyd never abandoned Massed Gadgets for the somewhat streamlined Who endures”), literally a metaphor for the king (of humanity) who is assistedīy gadgets (our technology) as he endures (history).įor my construction, we create an alternate timeline in (to help) and the first pharaoh of Egypt, Menes (whose name translates to “he Isn’t an actual Greek name Auximines, it could be stemmed from the Latin auxiliāris Into industrial mankind, the quest for knowledge and technology while there Interpretation is that “The Journey” is the evolution of agricultural mankind The prize of the conceptual journey was, and the task is apparently left to the The piece seemed to center around an individual’s journey for… well, who knows? Pink Floyd has never given any hints of what The second is less clearly defined and seemed to be largely instrumental and The set included the members of Pink FloydĪctually building a table on-stage (to represent ‘Work’) and being served tea
Mundane, British, post-Industrial life-this segment was called “The Man”. Arranged as two 40-minute movements, theįirst set seemed to follow the events of a typical person throughout his Pushing this envelope to its fullest extent in 1969 gaveīirth to a series of performances sometimes entitled The Massed Gadgets ofĪuximenes but usually titled “The Man and The Journey”.
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